Emory University
Art Director · Illustrator · Storyboard Artist · Animator
At Decosta Global, I served as a multidisciplinary Art Director on the development of an interactive e-learning application for Emory University, centered on teachings inspired by the Dalai Lama.
The project relied heavily on emotionally driven storytelling. I helped translate the lessons into motion-graphics-led video sequences that communicated empathy, compassion, and emotional understanding—without straying from the core educational goals of the module.
My role spanned illustration, storyboarding, animation, and motion design, ensuring a cohesive visual language across lessons, videos, and interactive elements. In addition, I designed the UX/UI and interface system for the app, balancing clarity, usability, and warmth to support a reflective, learning-focused audience.
Jada Plinkett Smith
Cover Artist
Under the direction of Jesse Decosta, I edited, color-corrected, and prepared the mosaic artwork for print for Jada Pinkett Smith’s book Worthy. This project was a fantastic experience, offering the opportunity to contribute to a high-profile publication while collaborating closely with an experienced creative director. The fast-paced, detail-driven workflow sharpened my production skills and reinforced the importance of precision, trust, and creative alignment in delivering print-ready work at a high standard.
Jesse Collins Entertainment
Digital Designer / Layout Designer
Created layout pages and digital assets for Jesse Collins projects, including photo editing, thumbnails, cover art, and key website features such as a timeline scroll interface. Worked under the creative direction of Jesse Decosta to ensure visual consistency and brand alignment.
Google pixel
Storyboard Artist
I storyboarded a series of commercials for director Sagi Kahane-Rapport for Google, highlighting the Pixel line. Working on a fast turnaround, I produced over 40 storyboard panels to clearly visualize the concepts and pacing for the spots. The project required speed, clarity, and strong visual storytelling, and it was a highly collaborative process that turned out great—and was a blast to work on.
KASHI
Storyboard Artist/Animatics
In addition to traditional storyboards, I built a real-time 3D previsualization set, allowing camera moves to be adjusted live during reviews and actors to be placed in-scene. This approach enabled fast iteration, clearer creative alignment, and a preview that closely matched the final production.
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